The Rainforest World Music Festival is an amazingly eclectic group of international ethnic and folk musicians performing. It lasts 3 days and the musicians, as well as performing on one of the two main stages each evening, they also lead amazing workshops.
I’ve been to the festival three times, and my fourth magical weekend starts in 51 days – at the 20th Festival (14-16 July 2017) This award-winning festival has, this year, musicians from: USA, Wales, China, Malaysia, Belgium, South Africa, UK/India, Cape Verde, Guinea, Colombia, Tahiti, Finland – to name just a few! As I said, eclectic with a capital E. Check the performers list on the #RWMF website – and follow the hashtags. (and this blog of course – more links to my social media here)
A typical day starts around 2pm with many workshops and interactive activities with the bands and other performers in the wonderful setting. It goes on until midnight, culminating with a live performance from each band on the main stage to a large, and always, enthusiastic crowd.
It’s not fair to try to sort out my favourites to check out, but I will. They are: Two South African bands – Abavuki and Kelele – who will be performing at the #RWMF) at the Sarawak Cultural Village.
- Abavuki means ‘Wake up, early birds!’ in the Xhosa language, and it seems they will offer “energetic and multi-instrumental performances which mix traditional rhythms of the South African people as well as more modern styles of kwaito, samba and Jazz.”
Based in Cape Town, it seems Abavuki’s high-energy afro-beat music “reflects their optimistic outlook on life, music-making and the resilience of the South African people.”
- Kelele – a minimal-instrument band – use their voices as the focal instrument.
They are keeping traditions alive with melody and harmony, maintaining the age-old African oral tradition of storytelling through song, passing on history, folktales and lessons in life over generations.
Accompanied by tradition instruments like the mbira dzavha dzimu (the finger piano), the uhadi (the traditional bow instrument of the AbeXhosa people), the umrhubhe (another bowed instrument) and the talking drum of the Nigerian Yoruba people.
- On a very different note – and continent – I’m also looking forward to hearing Pareaso from Korea. These four young musicians will blend “serene spirituality and rhythmic pulse on the daegeum, geomongo, saenghwang, janggu, gayageum and vocals”.
Of course, with so many to choose my favourites from, I have no doubt that when I next read the bios about more talented musicians, I will add more to my list.
Will I see you there? Who are you looking forward to hearing and, or, dancing to?