Is travel writing dead? Granta 137 has asked that question, and, before I read what international travel writers are saying about the topic, as travel writer, I thought I should answer it myself.
First of all, what is travel writing? Is it a guidebook? Yes. Can it be a blog? Yes. Can it be an article in a magazine? Yes. Can it be a setting in a novel? Yes. And, can it be pure fiction, or the embroidered truth? Unfortunately, yes.
So, the question, is travel writing dead, depends on which genre within the genre you are talking about. For me, and my style of travel writing, it’s about telling stories about what I’ve seen and done. It’s not PR work. It’s not interviewing my computer. And, it’s not embellishing my photos – what you see is what I saw.
Travel writing can include a destination overview or round-up, accommodation choices, personal experiences of fear & laughter, advice or ‘how to’ articles, food, a journey or transport, events and festivals, history, health advice, nature, animals and, of course, personality profiles. They can also be a memoir.
In the past, I told students to ‘encourage with description, tempt with flavour, resolve doubts with fact, take an unusual viewpoint, introduce fascinating people, reveal little known information, offer practical advice – of course they don’t all have to be in one story. And what doesn’t work? Stating the obvious, squeezing everything in, clichéd descriptions, trite phrases or a passive observer view’. It’s not a letter home to your family unless that’s how you are going to structure your book, your column, or travel book.
So, given these parameters, of course travel not writing is not dead: all the time I’m reading works by people writing along these lines in new and old literature, on the web, between the covers of books, and on my e-reader or tablet.
What is dead is the number of outlets available to reproduce such travel writing. Magazines and newspapers – which used to devote many pages to travel writing weekly – have drastically reduced. Along with this reduction is the huge decrease in dollars paid to the writer. My income is a pittance to what I used to be paid only a few years ago, and it’s very difficult to negotiate a payment – it’s mostly, “this is what we pay” and a take-it or leave-it attitude.
Pages in magazines and newspapers of course have reduced as circulation numbers and travel advertisements have also plummeted. Glossy flyers, posters in travel agent’s windows, and the Internet have replaced those adverts. No adverts equals no money equals pages reduced equals travel writers not needed.
The other reason local travel writers are not used are that editors are given free PR material to reproduce and, or, they use stories from the publishing stable of their international colleagues. This means in New Zealand we read stories written by British, or American, journalists and not something in a Kiwi voice and with a kiwi attitude to travel – and they are different.
Hear ends the rant. And, now on a wet Sunday afternoon in Wellington, New Zealand I can now devour my new Granta book and see what some of my admired, or unknown, travel writers have said about the topic.
Do you think travel writing is dead? What’s your favourite type of travel writer?