The Rainforest World Music Festival is an amazingly eclectic group of international ethnic and folk musicians performing. It lasts 3 days and the musicians, as well as performing on one of the two main stages each evening, they also lead amazing workshops.
I’ve been to the festival three times, and my fourth magical weekend starts in 51 days – at the 20th Festival (14-16 July 2017) This award-winning festival has, this year, musicians from: USA, Wales, China, Malaysia, Belgium, South Africa, UK/India, Cape Verde, Guinea, Colombia, Tahiti, Finland – to name just a few! As I said, eclectic with a capital E. Check the performers list on the #RWMF website – and follow the hashtags. (and this blog of course – more links to my social media here)
A typical day starts around 2pm with many workshops and interactive activities with the bands and other performers in the wonderful setting. It goes on until midnight, culminating with a live performance from each band on the main stage to a large, and always, enthusiastic crowd.
It’s not fair to try to sort out my favourites to check out, but I will. They are: Two South African bands – Abavuki and Kelele – who will be performing at the #RWMF) at the Sarawak Cultural Village.
Abavuki means ‘Wake up, early birds!’ in the Xhosa language, and it seems they will offer “energetic and multi-instrumental performances which mix traditional rhythms of the South African people as well as more modern styles of kwaito, samba and Jazz.”
Based in Cape Town, it seems Abavuki’s high-energy afro-beat music “reflects their optimistic outlook on life, music-making and the resilience of the South African people.”
Kelele – a minimal-instrument band – use their voices as the focal instrument.
They are keeping traditions alive with melody and harmony, maintaining the age-old African oral tradition of storytelling through song, passing on history, folktales and lessons in life over generations.
Accompanied by tradition instruments like the mbira dzavha dzimu (the finger piano), the uhadi (the traditional bow instrument of the AbeXhosa people), the umrhubhe (another bowed instrument) and the talking drum of the Nigerian Yoruba people.
On a very different note – and continent – I’m also looking forward to hearing Pareaso from Korea. These four young musicians will blend “serene spirituality and rhythmic pulse on the daegeum, geomongo, saenghwang, janggu, gayageum and vocals”.
Of course, with so many to choose my favourites from, I have no doubt that when I next read the bios about more talented musicians, I will add more to my list.
Will I see you there? Who are you looking forward to hearing and, or, dancing to?
Looking forward, looking back – while living in the now, almost seems impossible. However, living in the ‘right now ’ is how I try to live my day, every day.
That doesn’t mean I can’t contemplate the past – in fact as a travel writer I’m often looking at the past as I write stories about something I did last week, last month, or last year. Photos, whether on the wall or on my electronic frame, are constantly reminding me of a great time I had in Oman, Thailand, France or New Zealand.
And of course, photos of special people, now dead, absolutely have me looking back. Nevertheless, all this looking back is very different to wallowing in the past and beating myself up for wrongs done, or praising myself for good achievements or actions. These memories do not stop me living in the now but often inform my now so I hopefully don’t repeat mistakes but do make sure of recurrences of good deeds.
Looking forward is easy, especially as I have a wonderful life. A visit to Mongolia later this year means I had to book tickets and make reservations ready for my travels. However, now that is done it’s no use wondering if my flight will be smooth, there will be no delays, or conversely, all my planes will be late, but stay in the now and know that I can and will deal with those events on the day.
Part of living in the now while looking to the future means I’m also reading about Mongolia so when I arrive I will have a little background knowledge to its history and places I’d like to visit. So, I’m reading about Mongolia and living in the day – and doing exactly the same for another trip except that one has all 3, past, present and future.
Malaysian Borneo, had been on my bucket list for many years before I finally got there so planning for another visit means I have evidence from past visits to enhance my current preparations. The Rainforest World Music Festival (in Kuching, Sarawak) is again high on my to-do list. Nearly 2 years ago, I spent some of a birthday there in the middle of a drumming circle – such fun. Meeting people from around the world will again be a highlight there as well as the fantastic international musical programme they’ve planned. As you can see once again I’m in the present, looking at the past, and planning for the future. As I said earlier, I do have a wonderful life – one I do not take for granted, and over the years have worked hard to live this ‘easy and fabulous’ life that people often comment on.
‘Living in the now’, also gives me the luxury of being able to consider my past and plan my future. This is not how I used to live my life -I was never in the now but always wallowing in the past and how awful life had been or looking forward to a day when, somehow, without any effort, I would be plucked from my current position into fame and fortune: it never happened.
What I didn’t realise was all that time I spent in the past or future was taking up energy for today. I learnt about living in the now but it wasn’t until I started travelling – around the world for a year with no bookings – that I really understood and valued its practice. It didn’t take long for me to realise that if I was worrying about crossing a border tomorrow I could not value the beach I was snorkelling on today. A fabulous lesson that I continue to use.
So, living in the now does not mean I cannot make plans for tomorrow – what it does mean I can make tomorrow’s plan and then carry on living today, not worrying about what the weather will be like or if I will enjoy the movie, all I have to do was buy the ticket or plan to meet someone and then carry on with today’s tasks.
I’m so glad my life does not require me to make New Year resolutions but to keep learning from mistakes and moving forward.
Music lovers from around the world have just had a great time enjoying performances by international jazz artists at the small, and perfectly formed, 9th annual Borneo Jazz Festival. (Artistic Director Yeoh Jun Lin)
Some genres confound our expectations and jazz can do this – we sometimes can’t tell where the tune will go to next and often don’t like that uncertainty. I recently asked ‘what is jazz’ and soon I will blog about what these performers said about that vexed question.
The eight handpicked performers included (in no particular order) were Iriao, an eight-piece ethno-jazz band from Georgia. Their repertoire is based on Georgian authentic folk instrumental and polyphonic music, which has been recognized by UNESCO as being a masterpiece of oral immaterial heritage. They say the band is not aiming to modernize the unique polyphonic Georgian music but to saturate and adorn it with jazz elements. Listen to one of their pieces here on YouTube.
A crowd-pleaser was Vocal Sampling, an all-male a cappella group from Cuba . Their 2011 album ‘Cambio de Tiempo’ was nominated for 3 Latin Grammy Awards. Only using their voices, cupped hands and bodies they create a full range of timbres and textures of the Latin Orchestra – percussion, horns, keyboard, bass – which are vocally reproduced with astonishing accuracy. The crowd, and me, loved their classic boleros, rumba, and salsa, as well as more contemporary compositions.
Brassballettfrom Germany – evidently the first and only show worldwide where the musicians dance at the same time, although it is something many marching bands do the same. In their crisp suits and red ties, the choreographed show was popular. With only one stage at this festival on the beach, the stage manager and his crew deserve a shout out too.
Mario Canonge is a great musician and showman who played creole jazz with West Indies rhythms. He is originally from Martinique and now lives in France and the audience loved this band returning to Miri and the Borneo Jazz Festival. It seems each festival is a mix of one or two groups who have been before along with introducing new groups to the crowd.
YK Band from Indonesia featured jazz with a Borneo flavour and the locals particularly loved this group which has been performing since 2013.
Anthony Strong, pianist and singer has been hailed as ‘England’s new jazz superstar’. In 2013, Anthony Strong beat Gregory Porter, Michael Buble and Harry Connick Jr. to become October’s No. 1 on iTunes and No.2 on the Amazon USA jazz charts. Evidently Rod Steward described him as amazing while BB King called it ‘real great music’. The crowd, and I, loved his retro-contemporary repertoire including‘Too Darn Hot,’ ‘Luck Be a Lady’ and ‘My Ship’ from his ‘Stepping Out’ album. (He tells me a new album is imminent)
Local-born artist, the 30-year old Diana Liu started classical piano lessons at five and, with a music degree from Australia and who starting formal, classical singing during her 3-years at Otago Girls High, New Zealand, plays pop, jazz, bossa nova, gospel, funk and soul in a beautifully clear voice. She sings in Mandarin and English and performed with an international ensemble of jazz musicians – Lewis Pragasam of Malaysia, Christy Smith of USA, Tan Wee Siang of Singapore, Greg Lyons of Britain.
Junk o Func, (with12 people) grabbed the stage and owned it! Lead singers Elvira Arul and Russell Curtis entertained us with punchy, gospel-influenced vocals and playful, interaction with each other and the audience – who loved them. (I predict they will return!)
Both evenings concluded with a jam session all the musicians ( inside the hotel) while in the Pavillion beside the ‘Stage by the Sea’ DJ Roundhead had a popular Club Set: crowned the ‘Malaysia DJ Champion’ three years in a row he has a 20 year history in the local music industry.
Andy Kho: official photographer
Its a hot hot night!
Anthony and his flying fingers
Part of the crowd
Held at the ParkCity Everly Hotel, Miri (Sarawak) is the birthplace of Malaysia’s petroleum industry – oil was discovered in the early 1900s and remains the major industry. With a population of 300,000 people, it’s a resort city with easy links to many of the states adventure and nature attractions and is close to the Sultanate of Brunei and Sabah, Malaysia.
The city is surrounded by four world-class national parks, Gunung Mulu National Park (UNESCO World Heritage Site, home to the world’s largest caves), Niah National Park (Historical and archaeological site), Lambir Hills National Park (diverse species of flora and fauna) and Loagan Bunut National Park (largest natural lake).
Thank you to Sarawak Tourism Board for hosting me to this wonderful event.
I was confused at my first jazz festival. I thought jazz was the music I listened to on the streets of New Orleans but not all the performers and their music were like that at the Christchurch Jazz Festival (New Zealand). I loved the music but I wasn’t sure it was jazz!
I also heard music that was labelled jazz at WOMAD New Plymouth (NZ) – I thought it was big band or ska so knew I was missing something.
Now that I’m off the annual Borneo Jazz Festival (Miri, Sarawak, Malaysia) it’s time to do some research (via Google) but find even the people writing about it there have different opinions – but there are many similarities.
Wiki tells me: ‘Jazz is a type of African-American music that originated in the late nineteenth and early twentieth century in the Southern United States as a combination of European harmony and forms with African musical elements such as blue notes, improvisation, polyrhythms, syncopation and the swung note. Jazz has also incorporated elements of American popular music.
It goes on ‘As it spread around the world, jazz drew on different national, regional, and local musical cultures, giving rise to many distinctive styles’ and it was in this list I started to recognise styles I knew; New Orleans jazz, big band swing, 1940s bebop, and ska jazz.
Think the quote attributed to Louis Armstrong, sums it up for me! He was one of the most famous musicians in jazz when he said to Bing Crosby on the latter’s radio show, “Ah, swing, well, we used to call it syncopation, then they called it ragtime, then blues, then jazz. Now, it’s swing. White folks – yo’all sho is a mess!”
So seems I was not alone in being confused, a ’mess’ I carried on reading then and thought a blog about ‘What is Jazz?’ seemed a way to clarify it for me and anyone else who is all a mess too.
Here are some bullet points about what I learnt: ( thanks to the people and pages quotes)
In a 1988 interview, trombonist J. J. Johnson said, “Jazz is restless. It won’t stay put and it never will”.
In a CNN OPINION ( @CNNOpinion) piece Jonathan Batiste (Stay Human Band and is the associate artistic director of the National Jazz Museum in Harlem.(@jonbatiste) said ‘This is an impossible question, and one with many answers.’
. . . contemporary jazz seems too circuitous for most listeners to enjoy casually. The challenge for the contemporary jazz musician, as I see it, is making this subtle and complex art palatable to the greater public. Jazz is complex.
. . . to play jazz is to contribute to world history. To be a part of this tradition means that you are challenged to transform other people with the sound of your instrument. You are challenged to swing. You are challenged to contribute to the body of work established by some of the greatest artistic minds of all time, work that includes these treasures:
• A performance of “Fine and Mellow” by Billie Holiday, Lester Young and others from a CBS television broadcast in New York on December 8, 1957.
• “It Don’t Mean A Thing” by Duke Ellington features catchy vocals, hard swing, jazz violin and awesome horn section parts that epitomize what the jazz tradition is all about.
• “I’m Just a Lucky So and So” from the album by Louis Armstrong and Duke Ellington. It is a supreme example of the blues with utmost sophistication and feeling. The way Duke accompanies Satchmo is masterful, and the personality of the two of them signifies what jazz is all about.
Jazz is an experience; it’s all about the moment – it’s the language that we use to state our deepest, truest feelings; It is the American art form that is globally owned. (Jonathan Batiste).
“The most pressing, in my opinion is “What Is Jazz?” Or, more to the point, “What Is Jazz Right At This Moment?” The old definitions, which themselves were inadequate and vague, composed of personal biases and half-truths, are now completely antiquated. Just think about the difference between what defined the simple telephone thirty years ago, compared to today’s reality of what a telephone is. And compare today’s smartphones to what a telephone was just five years ago. The more you think about it, the more you realize not only how far things have come, and how quickly they are changing, but how much your own initial definitions are rooted in long-held ideas that no longer apply. “
“While these definitions still apply to some of Our Music, it is no longer descriptive of the entire purview of Jazz. Electric and electronic instruments now share the stage with the classic horns, strings and keyboards that have been standard instrumentation almost since the very beginning. It is incorporating more world music from Middle Eastern to Asian.
None of that really answers the question of what Jazz is right now, possibly because that is virtually impossible to define. Jazz is a living thing, Jazz breathes, it grows, it changes, it adapts.
“in the moment” this is called improvisation and is the defining /key element of jazz
There is no better example of democracy than a jazz ensemble: individual freedom but with responsibility to the group. In other words, individual musicians have the freedom to express themselves on their instrument as long as they maintain their responsibility to the other musicians by adhering to the overall framework and structure of the tune
it’s kind of like musical conversation.
is like a language.
the spontaneity heard (or “felt”) in jazz requires the listener to be alert at all times to the ever-changing aspects of a given interpretation of a tune.
the same jazz tune (song) is never performed the same way twice; while it might start and end the same, the middle part is played differently every time.
In jazz, it’s more about the way a song is played, rather than what song is played.
In order to be able to hear the difference, you’ve got to listen a lot; the more you listen to a particular jazz musician, the more you’re able to recognize that player by his/her sound alone.
Jazz is hard to play but good players make it look easy.
Shortly I’m off to my favourite Asian country – Malaysia – in time to be at the Borneo Jazz Festival (9/11 May) in Miri, Sarawak. (Staying at the Park City Everly Hotel)
The Borneo Jazz Festival was suggested around 2006 as a way to increase visitor arrivals to Miri and the northern region of Sarawak. I’m expecting a fun-filled and entertaining musical experience while also exploring Miri – I have only had 2 days there and as I had a cold I didn’t get to explore as I would usually. I’m also looking forward to Sarawak Laksa for breakfast!
All About Jazz said “The Miri International Jazz Festival [now called the Borneo Jazz Festival]in Sarawak province Malaysia, on the island of Borneo, can lay claim to being the only jazz festival on the South China Sea. A long line of tankers and cargo ships stretches across the horizon like buttons sewn on a vast blue cloth and attests to Miri’s century-old history as an oil town. Located in the lush grounds of the Park City Everly Hotel,the stage facing the sea was the scene for two days of music, drawing artists from Thailand, Indonesia, the USA, Brazil, Holland and Switzerland. Now in its fifth year, the festival is the cultural jewel in the crown of the Sarawak Tourism Board, whose stated aim is to use the festival as a magnet to draw tourists to the province.” Read more on the All About Jazz website.)
Miri is the birthplace of Malaysia’s petroleum industry – oil was discovered in the early 1900s – and it remains the major industry of this city. With a population around 300,000 people, it is also a resort city and is near to the Sultanate of Brunei and Sabah.
The city is surrounded by four world-class national parks which is Gunung Mulu National Park (UNESCO World Heritage Site, home to the world’s largest caves), Niah National Park (Historical and archaeological site), Lambir Hills National Park (diverse species of flora and fauna) and Loagan Bunut National Park (largest natural lake) – I hope to see at least one of them!
Jazz lovers from around the world will no doubt have a great time enjoying renowned jazz performances by the international jazz artistes and here are some of the performers:
Among the bands that will be performing will be Iriao, the eight-piece ethno-jazz band from Georgia. Iriao’s repertoire is based on Georgian authentic folk instrumental and polyphonic music, which has been recognised by UNESCO as being a masterpiece of oral immaterial heritage. However the band is not aiming to modernize the unique polyphonic Georgian music but to saturate and adorn it with Jazz elements. This is the first time that a Georgian band will be performing at the Borneo Jazz.
Another interesting line-up is Vocal Sampling, an all-male a cappella musical group from Cuba who are expected to be a hit at this year’s festival as they are a well-known band and crowd pleaser. Their album “Cambio de Tiempo” was nominated for 3 Latin Grammy Awards.
Other favourite Jazz bands listed for this years’ event will be Brassballett from Germany – the first and only show worldwide where musicians are dancers at the same time. They will perform a choreographed show on stage whilst playing their instruments. Mario Canonge – a great virtuoso and showman playing creole jazz with West Indies rhythms from Martinique/France. YK Band from Indonesia who will feature Jazz with hints of Borneo flavour. Anthony Strong – hailed as “England’s new jazz superstar” from UK. He became No 1 on iTunes and No 2 jazz charts in the USA.
Local artist Diana Liu, the Sarawakian born artist plays pop, jazz, bossa nova, gospel and funk/soul and will represent Malaysia.
Note: I have just been sent this press release as I write about Miri for a book I’m writing – serendipity
MIRI, Sarawak – Borneo Jazz has announced its lineup for 2014. The annual jazz festival, now in its 9th year, will be held in Miri, Sarawak from the 9th to 10th May. The impressive lineup this year includes ands who have really made it big in the jazz world of music. This is in line with year of ‘double celebration’, the Visit Malaysia Year 2014 (VMY 2014) and Visit Sarawak Year 2014.
Among the bands that will be performing will be Iriao, the eight-piece ethno-jazz band from Georgia. Iriao’s repertoire is based on Georgian authentic folk instrumental and polyphonic music, which has been recognized by UNESCO as being a masterpiece of oral immaterial heritage. However the band is not aiming to modernize the unique polyphonic Georgian music but to saturate and adorn it with Jazz elements. This is the first time that a Georgian band will be performing at the Borneo Jazz.
Another interesting line-up is Vocal Sampling, (photo) an all-male a cappella musical group from Cuba who are expected to be among the hit of this years Borneo Jazz in Sarawak. They are a very well known band and a crowd pleaser. In the last 2 years, a capella acts have been a show topper at Borneo Jazz. Their album “Cambio de Tiempo” was nominated for 3 Latin Grammy Awards.
Other favourite Jazz bands listed for this years’ event will be Brassballett from Germany – the first and only show worldwide where musicians are dancers at the same time.They will perform a choreographed show on stage whilst playing their instruments, Mario Canonge – a great virtuoso and showman playing creole jazz with West indies rhythms from Martinique/France, also first Martinique band at the festival, YK Band from Indonesia who will feature Jazz with hints of Borneo flavour, Anthony Strong – hailed as “England’s new jazz superstar” from UK. He beat Gregory Porter, Michael Bublé and Harry Connick Jr. to become No 1 on the iTunes and No 2 on the www.amazon.com jazz charts in the USA. From the local scene we have Diana Liu, the Sarawakian born artist who plays pop, jazz, bossa nova, gospel andfunk/soul and who will represent Malaysia/USA/Taiwan. Among members of her band will be our very own Lewis Pragasam who will be on drums.
Entry tickets will be on sale starting on the last week of January 2014. For promotional offers and discounts as well as further information on the festival please log on to www.jazzborneo.com. Updates also available via STB’s Twitter account @SarawakTravel and Facebook at Sarawak Travel.
This annual event is organized by Sarawak Tourism Board, supported by the Ministry of Tourism and Culture Malaysia and Ministry of Tourism Sarawak and endorsed by Tourism Malaysia.