Happy anniversary to New Zealand – and tomorrow morning (19th Sept) I’m attending a breakfast at Te Papa (Museum of New Zealand Te Papa Tongarewa) to celebrate, and commemorate the women who fought for the right to vote – and look to the future too no doubt.
It’s 123 years since the woman of New Zealand, our wonderful suffragists, our early feminists, won us the ability to vote in our general Parliamentary elections. Some, but certainly not all, women had been able to vote in various non-Parliamentary elections.
Female ratepayers, that is landowners, had been voting in local body elections from 1875; two years later they could stand for school committees, then in 1893, after years of campaigning, New Zealand women, whether landowners or not, became able to vote in the national Parliamentary elections.
Our suffragists certainly led the way, with the USA, in the face of most states allowing it, granted the same right to their women in 1920 (19th amendment) then, in 1928 all women in Britain were able to vote: before that, from 1918 only female property owners over 30-yrs had been able to vote.
Given our history I get upset at the lack of knowledge by a wide swathe of New Zealand, including the media, using the term suffragette to refer to our suffragists.
That term was coined about 15 years after New Zealand women were voting therefore New Zealand women were not suffragettes. First used in a newspaper it was a derogatory term but eventually was captured by the women of the USA and UK but was and never should be used in relationship to Kate Shepherd and our women ancestors, including my maternal great-grandmother, Elizabeth Rowe: my grandmother, Mabel was born in 1893 so it has always been easy to remember both dates!
One of the great things about the 1893 Electoral Bill was that while Māori women were given the vote too not ‘just’ women with land, unfortunately, Chinese women, in fact all Chinese, did not get the vote until the early 1950s.
Suffrage day (19th November) is often also called White Camellia day, as women who supported enfranchisement wore a white camellia.
Don’t waste the courage and strength of our brave 19th century women by honouring them and making sure you always vote – it was a hard won battle, albeit very different to those in the UK in particular.
During the 2014 election Kate appears on Wellington pedestrian lights
detail of the newest Kate artwork
Two women proud their great grandmother & gt gt grandmother signed Kate’s petition
Kate Sheppards home in Christchurch . a private home now
Detail of Kate and others with the petition in the wheelbarrow
Kate Sheppard memorial behind the Council Chambers
Kate Sheppard memorial, Oxford Terrace Christchurch
Fujian province, China, is unknown to most Western travellers but is the most famous and perhaps the most visited area for local tourism.
‘Secretive and reclusive’ were terms often used about China but things are changing.
You will know it’s home to chopsticks, calligraphy, acupuncture, the Silk Road, and Tiananmen Square, and of course the Chinese invented paper, printing, gunpowder and the umbrella.
Xiamen, the city by the sea, is at the mouth of the Nine Dragon River, and has frequently been labelled one of China’s most beautiful cities. It’s also been called a garden on the sea and is consistently named one of China’s most liveable cities, and was once called Amoy by Westerners. The climate is subtropical, and as it is on the coast and with very little heavy industry, and no coal for domestic heating, it’s here is cleaner than most Chinese cities.
This island city, opposite Taiwan, has been an important trading port since the Song Dynasty 960 until 1279 and was a seaport open to foreign trade. The Portuguese with the first European traders in 1541. It is still an important trading place especially as it was one of the first four special economic zones in 1981.
During my week in the area we visited their amazing library which had originally been a foundry. It retains the huge features of such a building and has been converted amazingly.
Follow my footsteps on our trip via this slide show.
NOTE: I travelled in this region as part of a cultural delegation from Xiamen’s sister city Wellington, New Zealand. See more here – http://www.wellingtonxiamen.com and check #Xiamen for photos on Instagram.
Tomorrow I leave New Zealand with a delegation of Wellington, New Zealand citizens – and we’re heading to our sister city, Xiamen, South China.
Once known as Amoy, this island of 4 million has been an important port for centuries, and is a vibrant, modern, and affluent city – rather like Wellington, all except being an important port for centuries, and NZ as a country only has only about 4.5 million.
The Wellington Xiamen Association is a volunteer group of locals who, with the support of the Wellington City Council, form long-term relationships between the two cities by exploring each other’s culture through information, events and various projects in education, art and culture.
On this trip, in a gesture of goodwill, a large choice of quality, award-winning books from Te Papa Press will be presented to the Xiamen city’s chief librarian.
In essence, sister city organisations promote peace through people-to-people relationships, including programmes varying from basic cultural exchange programmes to shared research and development projects between linked cities.
Founded by President Dwight D. Eisenhower in 1956, Sister Cities International is non-partisan, non-profit organisation and around the world has tens of thousands of citizen-diplomats and volunteers in 570 member communities with over 2,300 partnerships in 150 countries on six continents.
This Wellington delegation includes, artists, translators, photographers and me, as a travel writer of course.
We have met twice, over Chinese food of course, and all told me they look forward to being good ambassadors from New Zealand’s capital city, as well as bringing information back about the culture of Xiamen to share with other Wellingtonians.
For more information: See www.wellingtonxiamen.com and, of course, watch this blog for stories and photos from our week there and what appears to be a full, and diverse, itinerary.
Over the past five years, returning to the city of my birth, Christchurch, New Zealand, was often like returning to school – but the old three R’s rule of reading, writing and ’rithmetic had been replaced with different R’s – I often had to ask if it has been reopened, renovated, relocated or reduced-to-rubble. Unfortunately, with something like 80% of the inner-city, my old stomping ground, demolished because of quake damage, many were reduced to rubble or relocated.
Of course many of my favourites have another R as they remained-open or have reopened after minor damage was repaired, while a few had to close temporarily while neighbouring buildings were ‘de-constructed’.
A few of my special city-centre places in the remained open (or just closed briefly) category are, The Classic Villa; Canterbury Museum; Botanic Gardens; and The Antigua Boat Sheds.
Two months before the September 2010 quakes, a mayoral candidate said if he became mayor he would apply for World Heritage Status for the city’s unique Gothic Revival buildings. It seemed no city in the world had such a collection of Gothic revival buildings ‘of such high quality and so well preserved’ and I went to the Great Hall in the Gothic style Christchurch Arts Centre, another of my favourite places in the city, to hear about the proposal. He said, “these Victorian buildings date back to the 1850s and as a group are of enormous international significance. They represent the outcome of the furthest migration of any group of people in human history.” He continued, “They are more than bricks and mortar, they are at the heart of our city”.
I’m now back at the Arts Centre, very fortunate to get an escorted, behind-the-scenes, peek at the work being done in this part of the ‘heart of our city.’ Andre Lovatt the Arts Centre CEO, who values the heritage buildings in our city, is showing me around. He knows that ‘with enough time and money, you can do anything’ and time and, money has been and is continuing to be used on this collection of buildings. (Donations welcome to help this work – see their website)
Although the Gothic style is usually associated with churches the mid-Victorian architects used it in other buildings such as Canterbury College in 1873. Other buildings were added and eventually the college became Canterbury University. Over a century later the University moved to a new campus in the suburbs.
With plans to demolish the buildings locals demanded they be kept and eventually the empty buildings became the Arts Centre, which incidentally, my father had said would be a waste of money for the city and ‘should not be saved.’
A number of architects designed the individual buildings, the most well-known being Benjamin Mountford: it’s been said that the Great Hall was a good example of ‘his ability to adapt the Gothic style to colonial circumstance and to produce magnificent buildings within the constraints of limited resources.’
Much of the Arts Centre is reopening this year (2016) and there is anticipation and excitement by retailers who hope to return to the centre and by Cantabrians in general who look forward to being able to enjoy the area again. Check their website to find out the dates various buildings will be opened – and I’m hoping a New Zealand craft market will eventually open there too.
The Fool by Sam Mahon is one of my favourite pieces of public art … I wonder where it will move to within the Arts Centre grounds.
A new sculpture to be installed within the Arts Centre is the twin to this one by Antony Gormley – which is in the Avon (between Worcester and Armagh Street bridges.
I believe one of the first places to open this year will be Rutherford’s Den. This Kiwi, Ernest Rutherford, is one of the greatest scientists of the modern age, and he studied at this college from 1890 to 1894: this den is where he conducted some of his earliest experiments and is now a museum and information area. The Den was extremely popular before the quake and now that it has been totally updated I can see even more locals and tourists visiting it.
Ash Keating, the Melbourne (Australia) artist was commissioned (by Gap Filler and the Christchurch Art Gallery) to create a large art work in Christchurch in 2012. He was in the city at the time of the February 2011 quake and I loved his great rusty orange work on Manchester Street.
In January 2016 it was tagged and he has just returned to repaint it … I had seen the tag and then a few days later walked past as he was repainting it. (NOTE: If you are looking for it, it’s just around corner from New Regent Street, and a couple of blocks south of the magical Margaret Mahy playground)
Christchurch has a long history of great art and artists, and since the seismic shaking over 5 years ago it has again embraced art and I will later blog some of the art around the city.
For more information on the artist see his Facebook page here
It seems the tagger has been identified – he was bragging about it on Facebook. Duh!
This is one of a series of blogs I’m writing on Christchurch and how its emerging five years on from the 2010/11 quakes when it lost some 80%, yes eighty percent, of its inner city buildings- not because they fell down, but had to be demolished because of the damage – I will be writing about what it is now, not what was lost.