Warning: reading this may make you want to travel

Stuck inside under Covid-19 isolation I’m just remembering this wonderful trip’

Kiwi Travel Writer talks food, travel, and tips

read this and start packing

” ‘Why do you want to go to Zimbabwe?’

Even I thought it seemed a little silly, when I replied ,’Because I like the name.’ Zimbabwe sounded exotic and I just wanted to go.

Now I’ve arrived in Africa and I’m ready for my big adventure: a canoe safari down the Zambesi River.

Standing on the banks of the calm looking river, I am beginning to get scared. Watching us is the biggest, meanest looking crocodile I have ever seen. Lying in the sun, he seems to be inspecting us. I watch him and he watches me as I listen to our guide’s safety instructions.

“Keep looking for hippos, usually you will just see their little ears sticking out of the water, and every few minutes I want to you give a little knock on the canoe so they can hear us coming. If…

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Phare Circus: Siem Reap, Cambodia – a must visit

A circus in Siem Reap?  Absolutely! And, it’s become one of the city’s biggest attractions – and has a positive social impact.

Siem Reap, Cambodia, of course, has the incredible Angkor Wat temple complex and the awful, infamous Pub Street but it also has many charity and community projects like Phare Circus which aid this still-troubled country. (see also my blog about the HeroRATS) Both initiatives benefiting great causes as do many of the places we visited, ate at or bought from during our week there.

Phare, the Cambodian Circus, is an offshoot project of Phare Ponleu Selpak – a Cambodian non-profit, non-governmental association founded in 1994 by eight young Cambodian ex-refugee artists in the area of Anchanh Village, Ochar Commune, Battambang Province – a few years ago I spent a week in Battambang, (on the other side of Tonle Sap) right opposite the market and loved it.

The Phare Ponleu ‘helps vulnerable children, young adults and their families, build careers of Cambodian Artists, to revive Cambodian art scenes, to make worldwide arts connections with Cambodia and to contribute to the artistic, educational and social programs of PPS Association.’

When I, and a friend, attended the circus, it meant we were doing more than paying to be entertained: our money benefited the growing arts scene in Cambodia, that is, helping talented young people get the opportunity, income, or training access in which to develop, and showcase, their skills.

The Phare Circus is an incredible hour of traditional and modern theatre, music, dance, acrobatics, athleticism, juggling and contortion all beautifully choreographed and performed in stories about Cambodian lives and society. We loved it and talking to the young people after the show reinforced the value of attending.

Shows, each of a different theme or ‘tale ’change about every eight days. It seems tales, and sayings, are a big part of the local culture and the circus is an extension and visual representation of this with the moral of the shows often being about facing your fears in order to overcome them. The performance we saw was about being different, and bullying – combining laughter, happiness, music, and entertainment in a superbly presented show.

I recommend getting advance reservations during high season. (November through April) as performances sell-out most nights during this period.

It’s more than ‘just’ a circus, and the performers use – with energy, emotion, enthusiasm, and talent – theatre, music, dance and modern circus arts to tell uniquely Cambodian stories – historical, folk and modern. What’s even better – no animals!

All the Phare artists are students and graduates from Phare Ponleu Selpak’s – an association which was formed in 1994 by young men coming home from a refugee camp after the Khmer Rouge regime.

“They were greatly helped during that time by an art teacher using drawing classes as therapy and wanted to share this new skill among the poor, socially deprived and troubled youngsters in Battambang. They founded an art school and public school followed to offer free education. A music school and theatre school were next and finally, for the kids who wanted more, the circus school. Today more than 1,200 pupils attend the public school daily and 500 attend the alternative schools. Phare Ponleu Selpak also has extensive outreach programs, trying to help with the problems highlighted in their own tales.”

Phare The Cambodian Circus offers these students and graduates somewhere to hone their skills and a place to earn a decent wage, money that takes them out of poverty and provides self-respect and freedom. Many of the performers have gone on to be employed by the likes of Cirque du Soleil and Phare Circus also travels the world so you may see them in your backyard!

Phare, The Cambodian Circus is one of Cambodia’s most innovative social enterprise models. Profits generated through ticket, refreshment, merchandise and private performance sales support the free education, professional arts training and social support programs of Phare Ponleu Selpak in Battambang. It is one of the business units of Phare Performing Social Enterprise, along with Phare Creative Studio. Other business units will come soon. The circus survives through sales of tickets, merchandise, refreshments and private events. Ideally, the business will do better than just pay bills, but also make a profit from these activities. The majority shareholder is Phare Ponleu Selpak NGO School. Therefore, the majority of the profits go to support the school’s free education and social support programs to 1200 students daily.

Circus Phare The Cambodian Circus a responsible, social business in many other ways too. While always keeping an eye on making a profit to send to the school, other efforts are made to benefit society when possible. We both bought some items in the Phare Boutique shop as it supports local artisans and craftspeople. (higher quality souvenirs or gifts than you will find in the big markets – where many items are imported ☹) Royalties for each show performed -that was created at the school –  are paid to the school before profit is calculated. The business invests a great deal in the personal and professional development and the welfare of the artists and staff and participates in many community activities, sharing art with Cambodian people who otherwise might not be able to experience it.

The school survives mainly on donations and earns some revenue through sales of show tickets, merchandise and refreshments, but it depends mainly on donations. Maybe you can help – each little bit helps – and, if I get back to Cambodia, I plan on visiting the school.

 

Classic Villa – elegance in Christchurch

The Classic Villa has five stars, is eco-friendly and this historic, beautiful, bright pink villa has lived many lives!

Starting in 1897 – just 4 years after all New Zealand women won the right to vote – it was first owned by Christchurch boys high school as the chaplain’s house and, after many incarnations, including an old-folks home (that I always saw myself as being eventually  spending my final years in) through to its current reincarnation as a superb Italian style luxury B&B boutique accommodation – where I do stay!  Erected on land during Christchurch’s early European settlement days and known as Ravens Paddock, it’s opposite the old Christchurch Boys High School and Canterbury College where Lord Rutherford studied.

Table set for breakfast at The Classic Villa

With 5 Stars, it’s friendly, laid-back, efficient, and comfortable with the hosts serving sumptuous Mediterranean, /continental or traditional breakfasts.  The kitchen island is almost overloaded with cold meats, avocado, tomato, cheeses fruits, cereals, and juices, it’s a magnificent spread, all enjoyed a communal table with Peter, the consummate host, making sure teas and coffees flow -and of course, answering questions about where to go and what to do.

Step outside 17 Worcester Boulevard – a quiet one way pedestrian boulevard – and tram – and you’re in the centre of Christchurch’s cultural precinct including the Art Centre, Christchurch Art Gallery Te Puna o Waiwhetu  Museum, Botanic Gardens,  Cathedral Square, historic tram, punting on the Avon River, Hagley Golf Course, and of course, excellent restaurants, cafes & inner-city shopping: see more on their website The Classic Villa

I’ve always stayed in the ground floor rooms which have traditionally polished timber floors, kauri doors, ornate plaster ceiling roses, wood fire effect heater, luxury bedding, and mirrored wardrobes. The walls have art by Rhonda Campbell – which former President Bill Clinton took a fancy too. Good taste!

Evenings are great with a complimentary glass of something and nibbles in the lounge or garden and barbecue area.

Christchurch is the South Island’s largest city. It’s a vibrant, cosmopolitan place with exciting festivals, theatre, modern art galleries, great shopping and award-winning attractions.

Known internationally for award-winning gardens, Christchurch is also a great place for events, festivals and its street art.

Promenade along the Avon River
Street art beside the Piano
New Regent Street — a must visit.
Worchestor Street bridge
A shag/cormorant in the botanic gardens
The ‘cabbage’ tree – tekouka
Christchurch Art gallery 2 mins walk from the Classic Villa
street art in progress
public art
punting on the Avon .. other boats available for hire too

 

I’m scared – I’m in New Orleans

I’m in New Orléans for the first time – and I’m scared!

Green viper (Borneo)

Excerpt from Naked in Budapest : travels with a passionate nomad

Over the past few days I’ve listened to Elvis singing, sat through rhythm and blues on Beale Street and now the musical theme continues in New Orléans.

Arriving in the dark at the usual grotty bus-depot, I agree to an offer of a taxi. The driver, carrying my pack, walks out the doors to his cab where an argument immediately starts. A tough-looking, rotund man is trying to grab my pack from driver number one; it seems my driver has jumped the queue. This second driver is insisting I go with him, his taxi is in the front of the queue and the young man looks at me and shrugs his shoulders: it seems I get to go with the bully. Reluctantly I get in the cab – it’s dirty, smelly and the upholstery is ripped – I feel a little unsafe.

We speed though dark streets and, after a few turns, when I’ve totally lost my sense of direction, I begin to worry: seriously worry. Finally, one more turn and we’re in a well-lit street where he pulls up at the hostel.

‘Don’t go walking around here at night lady – it can be dangerous’ he tells me.

In the morning, the hostel is buzzing. I’ve slept through a murder.

Not long after I’d arrived, a young man – a local – was shot three times and died on the hostel doorstep. A drug-deal gone wrong is the common consensus but drug deal or not, I’ll try to look like a local: my camera and bag left behind, my money tucked into a pocket.

Sometimes things, and taxi drivers,  are not as I, fearfully, imagine. If you want to travel alone this is a great how-to book.

Print version was published in 2007 – also as an ebook on Amazon (kindle, kobo, android, etc)

 

 

 

No posts for a while – I’m on the road again

strange nose – sort of like the proboscis monkey

I know many bloggers and travel writers do blog while on the road – I rarely do! However, I will be posting a photo a day.

Why? Well, I’m always too busy ‘doing’ ‘observing’ ‘photographing’ – as well as eating and generally ‘experiencing’ rather than writing.

As some of you know I will be at music and cultural festivals, I’ll also be exploring and hiking in national parks, snorkeling in warm waters, and, and and – so lots to follow in my daily photos and then the future blogs on this site.

So, if you want to follow my travels in Malaysia, (Sabah, Sarawak Penang, & KL) and Mongolia) follow me on my Traveling Writer Facebook page, and/or my KiwiTravelWriter Instagram page as I plan on posting a photo a day during my adventures over the five weeks I’m on the road. (I’m leaving NZ 30th June and back on 7th August)

Then, if you want to read my blogs after I have digested all I saw and experienced on these travels (And get notified by email as they are published) make sure you sign up for this blog on the top right of this blog page.

Now I will zip up my bags and head off to  the airport – see you back here in August.

Of course you can read any of the some 1300 blogs I’ve written since 2008 – just use the search box by topic, country, year or word.

 

solo travel or with a group? the pros and cons

Solo travel doesn’t appeal – what about a tour?

Firstly I must declare my prejudice – I am a lone traveller. That is my preference, born out of nature and experience.

My group travel is limited: an overland truck tour on the southern African continent with strangers; plane and bus travel with a group of Kiwis attending an international convention then adding a three-week tour in the USA, and recently, a few days with a group of Californians in New Zealand to do some hiking.  So this column is based on some brief concentrated group travel and observations. Totally biased you could say.

What are the advantages of group travel? As with my African experience, I saw a lot more in a short time than I could have possibly done on my own. Someone else had done the research, created the itinerary, smoothed the way and that gave me an overview of what I would like to do on my return to Africa.

When I’ve discussed this topic with travellers many say it feels safer, is cheaper as they didn’t have to pay a single supplement – the bane of the lone traveller- it’s cheaper also in the bulk buying rates of transport or accommodation and of course, the good company of like-minded people when the trip has a purpose.

Conversely it is not always plain sailing. A snorer like me may be assigned as your room-mate. The Sierra clubbers were great, prompt – no waiting for stragglers as I had to with the group of kiwis – always the same one or two no matter what the threats.

However for me, a low-planning-wanderer, the African trip was hard because in a tour there is no freedom for changing the itinerary. I found places I wanted to explore and couldn’t, and even worse, I felt separated from the very people I wanted to meet.

Although we shopped in markets for supplies we did it in groups of 2 or 3 which made it difficult for us to interact with the locals in any real way.  It seems all tours mostly socialise together, and even when on the bus, truck, or train, seem more interested in talking to each other for long periods rather than take in the views. This mixing together, as on the tours I took, meant I was less aware of local customs, beliefs, or language than when alone.

As you can see, the pros and cons of group travel is really subjective and I’m making sweeping generalisations. I suggest you discuss this with friends who have toured.

However the final difference can look like this:

The tour leader tells you. ‘Tomorrow morning breakfast will be here in the hotel dinning room at 7 30am. We leave for the border at 8 15 so make sure your bags are outside your room ready for collection before you come down for breakfast.’

When alone it is more like this. Wake up at 5 am to the rustling plastic bags of an early riser in the dormitory you are sharing with others. Go wandering the streets at 6 am for breakfast, eat it in the company of tuk-tuk drivers and wonder why every one has both a cup of coffee and tea in front of them. You hire one of the drivers to pick you up at 8am to take you to the border only half an hour away. He takes you but you find you haven’t got a vital piece of paper the last official told you were no longer needed. You struggle with a combination of English and the local language, watch the bus drive through with the minimum of fuss and some two hours later, passport stamped you finally arrive in a new country.

While the tour is exploring the local temples and has a free afternoon to buy souvenirs the bus can carry, it is now time for you to find somewhere to sleep. Lonely Planet’s recommendation is full, has closed or changed its’ name and the next one seems miles away.

Your choice is simple, tour or budget solo,  as I have heard “you pays your money and takes your chances!”

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